Sunday, May 25, 2008
a novel length update on everything else
-end of my writing on dance course
As you know, last month I took a 6 week Writing on Dance Course with NY Times Dance Critic Claudia La Rocco at DTW. It was one of the most interesting and exciting classes I've taken in my intense college/graduate education thus far, and it didn't even count for anything except my own enrichment.
It was so great. Each week we had an assignment to see a show and write about it in a different way - in a specific word count, bending certain rules, etc. It really got my creative juices flowing and got me so much more engaged in reviewing performances than I had been previously. From the conversations and the workshopping of different people's writing I started to notice different aspects both of dance and of criticism that are really exciting to me. I was really inspired each week and since it has ended I've missed it! Haha I guess that's a bit odd but not really...I'm super quiet by nature and didn't say much during the discussions, but taking it all in - everyone's opinions, creativity, passion for dance from all perspectives - was such a unique and great experience. I hope DTW continues to offer that kind of course because there is little outside opportunty to disucss the art form on that level (which is a shame).
I churned out quite a few reviews during the course and definitely think it has improved my writing compared to those I wrote beforehand.
-numerous recent auditions
Ah yes, spring is audition season. Ballet company -type auditions were early this year but I skipped out on most of those, largely because I've made up my mind that it's not worth it to me to be an unpaid, overworked, under-performed (made up word, yes) apprentice or student with a ballet company in a smaller city or town when I can do that and SO much more here in New York City. I have too much to be thankful for in my life here and now that what I once wanted makes no sense anymore.
SO I have been only doing auditions for things around here. As you saw from previous posts, the most successful one thus far has been for Radio City's Christmas Spectacular. I'm super excited about that and I want it SO much, but I won't know for sure until July. I'm trying to be optimistic (a concept often lost to me, unfortunately) without getting my hopes up too much.
-my "choreographic debut" with the high school kids i taught
The kids I was teaching all this semester did really well with their performance. It was my official little 'NY choreographic debut' and I was pleased with it. I wasn't able to make it to their dress rehearsal so I was a bit nervous for them the night of the show, but it went really really well. I was proud of them and it felt good to see my work completed with lights and costumes and the works. They brought me up onstage to introduce me and give me flowers - a nice touch :). Teaching has really been a side thing for me to this point but it's definitely something (one of MANY things, good God) I'd like to pursue eventually.
-seeing my old studio's spring performance
Since I am still in charge of their newsletter even though I finished an issue just recently, I got to attend my old studio's spring performance. I'm working on the next issue for June and had to squeeze in time to catch the show between everything else going on, but I'm glad I did. All my former classmates were wonderful. It's so funny to watch like that as an outsider when I was once so involved myself (the past 2 years). But I wasn't really nostalgic or wishing I was a part of it this time, which is odd. It felt right to be in the audience cheering them on and writing about it like I've been doing for a while now. They deserve the spotlight.
-additional blogging opportunity
Amongst new endeavors for the summer, a new website has asked me to blog for them. I know, I continue to add projects endlessly but I do try to see them through and I only take things I think are worth it (okay, maybe I say yes to everything that comes at me, but it's all worth it so far). DanceChannelTv.com recently launched and I'll be writing for them. It's a social network kind of thing along with dance videos and such. Interesting...check it out.
-not getting one of my dream jobs
This was a big one. Being the obsessive person that I am, I'm constantly on both audition and job websites looking for my next opportunity. Since I just completed my internship at The New Yorker, my 4th magazine internship and 6th internship overall, I've come to the logical conclusion that my days of unpaid labor are largely over and done with, haha. And what's the next step after that and graduation?
Well, it SHOULD be a full time job, I suppose. Unless you're only 19 and in graduate school. But that didn't stop me from applying to the most ideal entry level job ever for my situation. I don't want to specify exact details just yet, but it's exactly the position I would want in publishing...but maybe, like, 5 years from now.
I was asked in for an interview (a story in itself...) and I seemed to have a decent change of getting it. The problem: it would have meant a full time job, which means no time for dancing. The long week I waited to hear back about the job practically killed me - on the one hand, I wanted it so bad because it's exactly what I've been preparing for and a great step towards my one career. On the other, much stronger hand I couldn't bear the thought of sitting at a desk full time at this point in my life, and giving up my first love. No I could never quit dancing all together, but basically getting this job would have meant (to me, anyway) the end of my pursuit of a professional career.
Many have told me this wouldn't have been the case and no decision means forever and blah blah blah, but it was tough for me to consider. Luckily, or unluckily depending on my mood, I didn't get the job. I'm glad for the moment because I can continue trying to dance for now, but part of me is a bit lost in thinking what will come next. I've been going crazy over this one...more details someday when I get the courage, haha.
-being interviewed for the big website mediabistro.com
MediaBistro.com, one of the sites I check regularly for publishing jobs (ironically, where I found the aforementioned failed dream job listing) contacted me for an interview to be posted on their site. I found it kind of humorous honestly, because I feel like that site is so professional and high status and I'm just a (relative) newbie to the media industry. BUT the writer spoke with me about arts journalism and starting a career in the field. It was really interesting to hear myself talk about this, haha, because I'm still navigating my way and trying to launch myself in this dying area. I'll be interested to see the final article in a few weeks, and will post a link when it's up.
-official college graduation ceremony (and getting sick beforehand!)
Just as a funny milestone of the past month: I went to my official Marymount Manhattan College graduation ceremony at Avery Fisher Hall (!) a few weeks ago, even though I officially graduated months ago. It was amusing for many reasons, but mostly because I got really sick that morning for no apparent reason. It was not fun, but funny in hindsight. I was quite miserable the whole day, which was unfortunate because that's one of the first "real life" milestones I've experienced. My high school graduation was a joke because it was held in a ballet studio with 4 other graduates. Prom was equally lame. Moving away to college was unmomentous because I had been away since age 14. So finishing and sitting through the ceremony was kind of big, haha. I felt like I was at Hogwarts or something with all the professors in uniforms and such. Maybe I'm revealing a bit too much of myself in this post, hahaha but I don't care.
-other teachers i've been taking class with
Since my fabulous teacher went away all this month I started branching out and taking ballet class with numerous teachers I haven't experienced before...and I really like them! Different styles, different approaches...but good classes. The famous Madame Darvash was teaching at a small open studio and few people knew about these classes, so it was an extreme privilege to learn from her with a very small group. She gave me a ballet book she swears by to "study" and taught me A LOT about her way of seeing placement and weight distribution and such in a very short time. She's great. As are many of the others I've been taking with and plan to continue with after ABT's intensive the next 3 weeks.
-recent & upcoming performances
Last week was the little play I was in, which went well. Next Sunday is our student showcase, and I'm doing a variation from Le Corsaire, which I just saw ABT do (wonderfully). We're also doing some group pieces...should be fun. Also at the end of ABT's intensive we have 2 studio showings, but won't know what we're performing until rehearsals get underway this week.
Well, there you have it...a novel about the past month. There's probably a ton of things I've missed and should have added, or tons I should have left out (haha) but it is what it is. The rate my life is going right now is insane and hard to keep up with, but I'm enjoying every minute. Thanks for keeping up with my blog despite some lag time :)
PS- If you made it all the way through this crazy long post, I admire you! Haha
Happy Memorial Day to all, and I'll be starting at ABT's Collegiate Intensive on Tuesday so look for posts all about that soon.
Saturday, May 17, 2008
back to blogging soon...
Regular posting will resume soon, haha. Here's just a few things I have to update about:
-end of my writing on dance course
-numerous recent auditions
-my "choreographic debut" with the high school kids i taught
-seeing my old studio's spring performance
-additional blogging opportunity
-not getting one of my dream jobs
-being interviewed for the big website mediabistro.com
-official college graduation ceremony (and getting sick beforehand!)
-other teachers i've been taking class with
-upcoming performances next week
...and more.
So much going on as always.
Tonight I'm going to see TAKE Dance to review, and tomorrow I have rehearsal most of the day...but I hope to write a brief post on all these things soon.
Saturday, December 29, 2007
holiday update - finally
So here's what's been going on and what's coming up, bullet style:
*went home for Christmas and it was a nice, relatively quiet holiday


*since coming back to the city I've gotten to catch up with some old friends spending some time here and it has reminded me how small and tight-knit the dance world is, and how close everyone really is. Even though I go months at a time without seeing some of my closest friends, we get together and it's like we haven't missed a beat. I love that.
*I got an email from the director of my old studio asking if she could hire me to take over the studio newsletter, writing and designing the whole thing. I'm meeting with her next week to discuss details, but I'm pretty sure I'm going to do it, which will get me back involved over there after a 6 month absence (well, maybe not quite that long)
*remember how my foot has been bothering me? Well, my left Achilles tendon has been hurting on and off since about April, and it was only on Christmas Eve morning that I finally had a chance to get it checked out (mostly because insurance doesn't cover out of state, and I'm hardly ever home long enough to make it to a doctor there). So I have Achilles bursitis. It's basically inflammation of the bursa, a sack of fluid between the tendon and the skin, and there's not much to be done besides rest, ice, and anti-inflammatories. My main concern was that I wasn't making it worse by dancing on it, and the doctor said I'm not, so that's good. I should be starting PT soon so I should be just fine.
Coming Up...
*understudy/apprentice with Rebecca Kelly Ballet. I forget if I mentioned it on here, but I auditioned for her a while back and had some vague dialogue later, but she emailed recently asking if I'd understudy a little showcase they have in January and also come to her choreographic workshop as a guest the following weekend to learn some rep. So I'm looking forward to that.
*Dance Research Forum Ireland. Again, forget if I mentioned it but I submitted my senior thesis dance journalism proposal to this big dance scholarship/research thing and they accepted it and want me to present it via poster at their conference in Ireland in June. Yay! Work paid off. It's expensive though, so I'm not positive I'll be attending yet...
*starting to rehearse for a little student showcase with the people I take class with all the time, to be on February 24. Fun. I love them.
*internship at The New Yorker starts pretty soon after the new year. I'm sooo ready for that, but I'll miss my current internship.
Ah. Well, I'm sure I'm forgetting something, but there's an update for now. I'm back in the city and sore from class (since I took almost 2 weeks off besides a single class here and there). It's nice to have a few days of "vacation" to enjoy the city before getting back to school and work and such the day after new years.
And I officially graduate in 4 weeks.
Friday, September 7, 2007
(Computer's Back) Moving Story Class - And an Update
Moving Story Class
In the September issue of Dance Teacher there’s an interview with choreographer Christopher d’Amboise, a former NYCB Principal dancer and son of ballet legend Jacques d’Amboise (and sister of Broadway star Charlotte D’Amboise). In the interview he discusses his unique concept of choreography and “making steps your own” through is workshop class, “The Moving Story.”
He actually brought this workshop to us back in June at Ballet Academy East and so I thought I’d share my personal experience learning with him. We had worked with him back in the winter, when he choreographed an original piece, “On the Edge” for our Studio Showing. For most of us it was our first time working with truly contemporary choreographing and it was definitely a challenge to move in different ways while still maintain our ballet technique. One of the major things Chris emphasized while working with us then was that we had a freedom within the choreography to individualize it. At the time, it was confusing and a bit intimidating to have that task: To this point, I had always been taught to conform to a choreographer’s wishes and do things exactly as I was told. Here he wanted us to take his movements and manipulate them, however slightly, to make them comfortable in our bodies and personalities.
It wasn’t until he came back to teach the Moving Story class that I was fully able to grasp this concept. He began the first session without speaking a word. He demonstrated a series of steps and we automatically imitated them. After a while he began to repeat the steps one at a time while saying what appeared to be random words. Soon the connection was clear. Each step was supposed to look like the object or action he was saying. For example, “fly swatter” was a loud clap as if you were literally swinging at a bug. “Jump over the fence” was a Jerry Robbins inspired jump (think the opening number in West Side Story) where you pretended to be going over something.
Over the following sessions we developed a “movement language” as a group. Every step we did had a name that we established together. Similar to the ballet vocabulary, every step led to something else and the connections and in between steps were important as well. The hardest part of all this was that not only did we have to work our way through the foreign choreography but, as we danced it, we had to speak the names of the steps out loud! It was truly a challenge, especially for me because I am quiet. I remember he actually made me dance and speak alone the very first lesson. He pointed to me and made me go first, and all I remember was that my mind went blank. I did the steps and said the words without even thinking about it, and all of a sudden it came so naturally. It was a very odd feeling - dancing and speaking without thinking. I don’t know if that was the intention, or even if I did the sequence correctly, but from that moment I knew this technique was something I wanted to explore and incorporate in my dancing.
As the workshop progressed we learned how to convey different emotions through movement and eventually how to create short stories through dance. It was very specifically not an acting workshop - the point was to create feelings through our bodies. For example, if you do something sharp and strong it might mean you’re angry, whereas a slower, legato movement might convey exhaustion. He had us create “emotional maps” and use them in his choreography to make the combination “our own.” The result was 15 very different interpretations of the same movement and a clear example of the point of the workshop.
He also spoke a lot about back phrasing and front phrasing, namely playing with the music to decide which particular steps are “important” or emphasized. Already I did a bit of this naturally, but after hearing his explanation of this I found myself considering new ways to hear things, even just in ballet class. I can honestly say that since taking the Moving Story workshop I have implemented some of the concepts I learned about movement analysis and it has added a whole other dimension to interpreting choreography and even basic steps in class.
On another Note…
An Update
September is always exciting and full of new beginnings, but this years seems to be exceptionally busy. Here’s a few things that I’ve been up to and that are coming up soon:
-Last Semester of College!
This week I started my final semester at Marymount Manhattan. I really can’t believe I graduate in just a few short months. It went by too fast (only 2 years!) and in some ways I don’t feel like I’ve even had the college experience. I’m taking an overload schedule to finish all my required courses. I’m also working as the Features Editor of our school paper, The Monitor, so we’re getting set up for a new issue.
-Starting Grad School!
My school has this special program where you can take graduate courses in your last semester that will count for credit as both undergrad and grad school, so I’m also taking courses in Magazine Publishing at Pace University. We had orientation the other day and I’m really excited about the program. It lets me really focus in on what I want to do after dancing.
-Benefit Performance
Details for this are still in the works, so I’ll post more later…but on October 24 I’ll be dancing in a benefit performance for the Tyler Dunne Foundation. More on that soon…
-Nutcracker, already?
Next weekend I start rehearsals for Nutcracker with the Albano Ballet Company in Connecticut. Performances are in December at Mohegan Sun, one of the biggest arenas in the northeast!
-Ajkun Ballet Theater
I also officially start as a Trainee with the international company Ajkun Ballet Theater in a few weeks. Not sure what that will bring, but it’s an exciting new beginning!