Thursday, September 9, 2010

Recovery: Day 2

Molly and Lucy make me smile when my foot hurts :)

You know when you have a really long, tough day of dancing and you hardly feel the soreness the first 2 days...but they always say the 3rd day is the worst?

Yeah, well...the 3rd day is the worst!

Last night I really started to feel the pain in my foot :( The medicine had been working really well and I've been prompt in taking it, but overnight it got really really bad. Part of what I feel is the actual incision, I think, and part is like deep inside the back of my foot, which I assume is the bone they shaved down. Ick - I don't like thinking about that! It's feeling a bit better now that I'm up and about but...

I'm slowly starting to get the hang of the crutches a little better. I've figured out how to go UP stairs now, although I'm still a little shaky. I haven't attempted going down more than 1 stair - sliding down on my butt is just so much easier, haha. I'll learn soon...it's only been 2 days.

As bored as I am being at home, I think it was definitely a smart move for me to come be with my parents rather than trying to tough out this immediate recovery in the city in my 3rd floor walkup or even staying with a friend. I'm lucky to have such a supportive family who can (temporarily) wait on me hand and foot :) haha.

It helps to have my two cute dogs with me all day, too!


This afternoon I'm trucking myself to the movies for a change of scenery, and then later I'm going to my mom's dance studio to watch a class or two. It's always fun to go there - although it's going to be hard to resist trying to dance! Yesterday I did some abs and floor barre TWICE because I just needed to get moving. I'm no good at resting, haha. Maybe that's why the pain is extra bad today...

Wednesday, September 8, 2010

ABT Dancers Choreograph: The Innovation Initiative

This is very cool!

"American Ballet Theatre will showcase the choreographic work of four Company members with "The Innovation Initiative," a one-night-only benefit at Frederick P. Rose Hall, home of Jazz at Lincoln Center, on Tuesday evening, October 12 at 6:00pm.

"The Innovation Initiative
" will be highlighted by the World Premieres of four works choreographed by members of American Ballet Theatre and performed by dancers from the Company. Choreographers for "The Innovation Initiative" are Gemma Bond, Nicola Curry, Daniel Mantei and Craig Salstein. The performance is the culmination of ABT’s four-week choreographic workshop under the mentorship of Artistic Director Kevin McKenzie, ABT Artist in Residence Alexei Ratmansky and Stephen Pier, Director of the Dance Division at The Hartt School.

The benefit evening, which begins at 6:00pm, kicks off with an Innovators Celebration Dinner in The Allen Room, followed by a performance at Rose Theater at 8:00pm."

A limited number of performance-only tickets, priced $30-$75, will be available at the Frederick P. Rose Hall box office, beginning September 26 or by calling CenterCharge at 212-721-6500.

Otherwise...you have to be rich to attend, haha.

How I'd love to see this!

First White House Dance Event


Really sorry I missed the live stream of this (couldn't they have let me watch in the hospital yesterday? Haha). Dancers from Alvin Ailey American Dance Theater, New York City Ballet, Paul Taylor Dance Company, and The Washington Ballet performed at The White House hosted by Michelle Obama.

This must've been so exciting for all who danced. Last winter just around Christmas week the Obamas had a small group of Rockettes perform for them privately and it was SO thrilling for our entire show! It was a first for them. I was a little disappointed they didn't want a ballerina bear to grace their presence, too. Haha!

It's nice that they honored Judith Jamison. Because I'm always taking class at Ailey I see her in passing on occasion and she is so statuesque. Actually the day I went to the Ailey PR office to see my Times article for the first time in print I ran into her, literally. I look like a student in the school and I was on the office floor where they're not allowed so she was like, "What are you doing up here?" but friendly. I explained who I was there to see and she let me in. Haha that's my big Judith Jamison story. It was the icing on the cake at the time.

Watch the archived video above :)

Official White House Photo by Chuck Kennedy, take from here

Performance Videos + Rehearsals Start Tonight



Just got the first clips of last weekend's Performing in New York Showcase. This was "Tarantella" based on Bournonville's ballet "Napoli" staged by my teacher Kat Wildish. These are mostly adult students who may otherwise not have the chance to really perform. I had just a small part towards the end because it was my last show on the evil achilles.

Renowned ballet teacher Kat Wildish created the Performing in New York Showcases to give her eclectic adult students at The Ailey Extension a rare opportunity: the chance to perform real classical repertoire in a professional theater in midtown Manhattan. The shows, held 3 weekends per year at The Ailey Citigroup Theater, have grown from serving just a 20-person studio audience in 2008 to being sold-out successes. Small professional troupes and open class students in other dance styles join the passionate, international cast. Kat believes every dancer deserves to achieve their dreams of performance, no matter their age or level. Her open-level repertory workshop of weekly rehearsals provides top-notch insight and coaching to professional and beginner dancers alike.

I'm assistant director of these shows basically - so I do A LOT. Besides most of the administrative stuff, I also helped stage "Giselle's Friends Dance" with Kat. My job was basically to big time clean up little details, since we only had 3 weeks of rehearsals. Video below...I'm really pleased with it and proud of everyone :)




I also performed with Exit 12 Dance Company in this show, but that video will come soon...

If anyone - ANYONE - in the city is interested in participating and performing in our November show, they start rehearsals tonight at 9pm at Ailey! Obviously I won't be there for a few weeks to help, but it's so worth doing if you've ever dreamed of performing classical ballet and thought you'd never have the chance. More info and signup here. 4 performances on Thanksgiving Weekend at The Ailey Citigroup Theater. Mark your calendars!

Recovery: Day 1

Well, I'm really relieved the worst is over...sort of.

Take a look at the giant, heavy boot I'm in! Could be worse - I'm glad it's not a real cast. But...still no fun.

Let me start by saying how incredibly grateful I am for all the emails, comments, tweets, and words of encouragement and support I've gotten the past few days. It really means a TON to hear from everyone - like I'm not going through this alone. I so appreciate all the words of wisdom I've heard from friends (and strangers) who have been through similar experiences, and the uplifting thoughts from everyone. THANK YOU!

My surgery on my achilles bursitis and Haglund's Deformity yesterday seemed to go smoothly. I got the hospital at 1:15 and basically sat and waited for 2 whole hours with my mom, who had arrived that morning. I was warned it would be a lot of waiting, but my backpack with my ipod and books and stuff was already taken away from me. So...we sat.

Finally my doctor came in and marked up my foot where he'd be working on it. Then I met with the nice lady from anesthesia who said she'd take extra care of me because my dad is an anesthesiologist himself. I told her how I was really afraid of getting sick afterwards from the anesthesia, so she made sure to give me extra anti-nausea medicine - and luckily that worked!

Soon I was taken into the operating room. I HATE hospitals and won't even glance at a TV show that has anything to do with doctors, haha. But basically it was just like what I *imagine* it's like on TV. They strapped me to the table and covered me up. Then the anesthesiologist gave me an IV in my hand. Because I have to stress out about every little thing, part of me was concerned I wouldn't get knocked out from the medicine. Hey, I'm a heavy duty insomniac who can't sleep and is not affected by sleeping pills, alcohol, or just about anything. But she assured me I'd be out and calmly talked to me about dancing while she gave me "10 drinks." That's all I remember, thank goodness.

Not an hour and a half later I woke up in the recovery room. I could feel myself waking up and had one of those "just 5 more minutes please" moments. I felt so tired but fully aware of what was going on. I didn't feel much pain in the foot, but was definitely aware of the gigantic black heavy boot laying at the end of my bed. I wiggled my toes to make sure indeed my foot was still in there, haha. And it was.

The doctor came by (just had to double-check this part with my parents because I was...groggy) and said they drained a whole lot of fluid as soon as they got inside. As planned, they removed the bursa and shaved down the heel bone. Apparently my actual achilles tendon was 10% torn but it appeared that had happened a long time ago (probably when this all began over 3 years ago...why didn't anybody do an MRI and see that back then?!). He didn't have anything to reattach it to and it didn't look like it will tear more, so he just left that alone. That makes me a little nervous that it may be a problem in the future...but it does mean a little speedier recovery, apparently.

An hour or so later, after some apple juice and crackers (which tasted like a 5 course steak dinner after not eating or drinking for almost 20 hours), my mom helped me get dressed and the nurse tried to teach me to use the crutches. I'm, um, really not graceful on those things, haha. I'm sure I'll get the hang of it, but last night I was still out of it and couldn't get far. And this morning I've been crawling on my knees everywhere and going down stairs on my butt because it's faster, haha. Can't exactly do THAT in NYC...

We got right into the car and headed home to Massachusetts. I had been really afraid I'd be throwing up sick the whole ride home from the anesthesia, but I was completely fine in that respect, THANK GOODNESS. The ride seemed long though, being all squished up in the back seat of the car with this big boot. I had it elevated on pillows and my suitcase but it was a pain not to be able to really move around.

We made it home around 10:30pm and I quickly checked emails and went to bed. What I failed to do was take another pain killer just in case. I'm supposed to take one or two every 4 hours. I had already taken 2 which was enough for the time being, but it didn't last me through the night. Around 1:30am my dog woke me up and...oh my god...OUCH. My foot felt like it was on fire, aching so badly. All I wanted was to rip off the boot and stick it in ice, like I've been doing the past few months when it's been that bad. I quickly chugged down another pain killer and lay there just waiting for it to work. An hour later I was still awake and took one more so I'd be okay when I woke in the morning - then finally fell back asleep at 3am.

Of course I'm not used to small-town living, so at 6:30am when the pounding trash truck came right under my window I was snapped awake. Ugh. Another pill and head under the blankets and back to sleep. I woke up for good at 9:30am and crawled my way downstairs. Here I am!

I'm extremely thankful everything went as expected. In my head a lot of things could've gone wrong and they didn't. So...relief. But I can tell this is gonna be a long 10 days at home...and a long 3 months full recovery. Let the fun begin...
a really unfortunate picture of me in my stylish hospital gown thanks to my beautiful mother (seriously...out of the blue a nurse told her she was beautiful...then they saw me looking like this...haha)

Comments Are Back

When I stopped blogging for so long I started getting TONS of commenting spam so I turned off comments. Forgot to fix that when I restarted the blog last week but was reminded of it yesterday so...they're fixed :) Comment away! (though I like emails too :)

Writing at 2am because woke up in serious pain...pain pills please...

Tuesday, September 7, 2010

Home Sweet Ouch

Made it through surgery and home to Massachusetts.

Everything seemed to go smoothly. Being stuck in a car for 4 hours immediately after was...unpleasant, but I didn't get sick from the anesthesia like I was expected to, so that's a plus!

I'm on pain killers but do still feel it a bit. I'm in a boot - not a hard cast - but it feels a little claustrophobic (and heavy!). Could be worse I guess.

More writing tomorrow when I'm less out of it :)

The Dreaded Day Has Come

(image from a get well card from my friend Jill :)
It's surgery day :(

Off to take one last barre (because what else should you do right before surgery?!) and then heading to the hospital at 1pm. Later when I'm released I'm headed straight home to Massachusetts with my parents for 10 days recovery with lots of help and lots of Italian food.

Blogging will resume tomorrow hopefully...

See you soon NYC, on crutches to boot ;(

Monday, September 6, 2010

Larry Keigwin at Fashion's Night Out

About a month ago on a scorching August morning, I got to walk the runway in front of fashion queen Anna Wintour.

Me and 180 other mere mortals.

We were volunteering to help popular modern dance chorographer Larry Keigwin prepare a big-scale event as part of Vogue's Fashion's Night Out, which happens for real tomorrow, September 7 (the full Fashion's Night Out is the 10th). It's to be the largest public fashion show in NYC history, featuring over 150 of the industry’s top models and giving over 1,500 guests a look at Vogue’s key trends for the fall.




Keigwin put out a call to the dance community for volunteers to be the "models" while he tested his choreography. Lincoln Center plaza was the stage, and the gray titles coiling around the new fountain marked the "runway." We were broken into groups and given different colored Gap t-shirts to wear (we were told in real life the distinction would be different fall "looks" rather than different colors). Then we took places in a giant circle, stretching from Avery Fisher Hall to the Koch Theater (I really still want to call it State Theater...) and close to the Met.

It was a game of follow the leader. Group by group we followed our real model leaders through an intricate path around the paved "runway," trying hard to avoid collisions. All the while the morning sun beat down on us - is it over yet?

After several goes and some spacing practice, we got 10 minutes to relish in the air-conditioned lobby of Avery Fisher. Then we headed out and down to Lincoln Center's new underground traffic tunnel to wait for the real deal: Anna Wintour as our audience.

When she finally arrived an hour after expected, I was already late for a class and frustrated with the heat. But...it was cool to see her in person! Each time I circled past her on the "catwalk" I tried to sneak a closer glimpse - she had huge sunglasses on and was whispering the whole time with her entourage. Probably about how un-model-like we all were, haha. (Oh and if you haven't seen "The September Issue" yet, I highly recommend it! And of course my favorite...)

The whole time Larry kept us laughing and made the mood light. There wasn't much in it for us except a free t-shirt (which, ahem, I never got...) - but it will be cool to see the real event and know I played a small part in making it happen!

There will be a live webcast of the whole evening, including Larry's show at 7:30pm - watch it here.

Saturday, September 4, 2010

Teaching and NYCB Workout Certification

One of my projects for the summer has been working towards getting certified to teach The New York City Ballet Workout. I really enjoy teaching and I've been wanting to do more to build up that part of my resume, so this was a great opportunity.

I applied and was accepted last summer to the teacher training program at NYCB, but for financial & timing reasons I wasn't able to participate. This year, thanks to a generous friend, I've been able to start the certification process. Back in August I completed a training weekend at NYCB's gorgeous studios. What an enriching experience! Teachers from literally all over the world (Croatia, Japan...) came for the weekend to learn the format and technical requirements of the dance workout class and tips for improving teaching skills. I learned so much in just two days!

I've been teaching for most of my life, starting when I was very young at my family's dance studio helping demonstrate for the even younger students. I grew up watching my mother and grandmother run a dance school, teaching all ages and levels. I guess through osmosis those skills translated to me a little bit - when I graduated from The Rock School one of my favorite teachers there told me "someday you're going to be a great teacher." At the time I took that as a gigantic insult, haha. All I wanted her to say was that I was "going to be a great dancer," not a teacher. She went on to explain that I "knew so much" and could analyze things, which only now I find value in.

Since then I helped teach primary level students at Ballet Academy East where I got more hands on experience correcting and adjusting young dancers. From there I taught (and choreographed) for a NYC public high school class one semester. Then this summer I began teaching open classes for a new donation-based organization - which has been such fun! I do feel like I have a lot of information to share that has been ingrained in me from my many wonderful teachers. Now with this potential NYCB Workout certification I'll have even more to back me up.

After the training weekend I completed a written exam, and now the last step is the practical exam: teaching a class of my own. I'll be teaching Sunday 9/5 from 2:30-4pm, so if anyone out there is free, please come! :) Free class, what could be better?

Go See Mao's Last Dancer


If you're looking for something to do on this long weekend I highly recommend seeing the new ballet movie "Mao's Last Dancer."

I was skeptical of this - as I am with most dance movies post-"Center Stage" - but it really is a great story. I saw it last week and just loved it. I think what makes it stand out amongst other cheesy dance films is that it's real, honest, and more about the characters than about dance. Somehow in pop culture ballet has been pigeonholed as just skinny, catty bunheads being beautiful swans or dancing to Nutcracker music.

It was refreshing to see a true story of struggle for what one dancer wanted - to see him find his place as he grew up in a harsh ballet environment. And the dancing was lovely. Graeme Murphy's choreography really worked well for the screen. Instead of snippets of just traditional ballets, we get to see more contemporary work that propels the story. Familiar ballet segments are abbreviated (the pas de deux from Don Q lasted all of 2 counts of 8 maybe?) but it's just enough.

It's playing at select theaters now across the country. New York folks can see it at The Paris Theater or Cinema Village. Go!

Official synopsis: From Academy Award® nominee Bruce Beresford (DRIVING MISS DAISY, TENDER MERCIES) comes MAO’S LAST DANCER, the inspiring true story of Li Cunxin and his extraordinary journey from a poor upbringing in rural China to international stardom as a world-class ballet dancer. Based on the best selling autobiography, MAO'S LAST DANCER weaves a moving tale about the quest for freedom and the courage it takes to live your own life. The film compellingly captures the struggles, sacrifices and triumphs, as well as the intoxicating effects of first love and celebrity amid the pain of exile.



MAO’S LAST DANCER stars Chi Cao, a gifted dancer and principal at the Birmingham Royal Ballet making his impressive screen debut as Li Cunxin. The cast is rounded out by Bruce Greenwood (STAR TREK; THE SWEET HEREAFTER), Kyle Maclachlan (“Sex and the City”; “Desperate Housewives”), Joan Chen (LUST, CAUTION; THE LAST EMPEROR) and Amanda Schull (CENTER STAGE; “One Tree Hill”).



Friday, September 3, 2010

Experimental Rehearsal

A week or two before I found out I'd be getting surgery I got an email from an independent choreographer. He would be doing a residency at The Kitchen this fall and wanted to choreograph a new solo work on me. How exciting! I was looking forward to the prospect of working in a different style and having a solo opportunity in the city.

And then...the foot.

I emailed him apologizing up and down, emphasizing how grateful I was that he thought of me and that I hoped perhaps we could work together once I've recovered. We decided to meet for one rehearsal pre-surgery anyway, since he had already booked studio space.

And how nice it was! We chatted for a good 45 minutes before we did any moving - discussing the dance community in general, my background, his approach to choreography, gossip about dance critics, and so on. He explained that he saw something "real" in my article and that's why he wanted to work with me - I was honored.

I couldn't do much because the foot's been bad, but we spent a while going through a simple movement sequence with lots of walking and dynamic arm movements. It was nothing like I'd done before...no ballet here! But it was fascinating to work on something so pedestrian and make it art. He changed the timing of steps, the quality, the phrasing, the spacing...simple steps can be vastly different.

It's a shame I'll only have that one rehearsal with him for now and obviously won't be able to perform this work as hoped. It was tough to grasp what this was all about and to really make it mean something in just one hour - but he mentioned another possible residency in the spring, so hopefully I can try to be a part of that when I've recovered.

I was grateful at least to meet him and test the waters. Every minute in the studio is a chance to learn.

Thursday, September 2, 2010

5 Days til Surgery :(

Everything's happening so fast.

Just a week and a half ago I found out I'd be having surgery on my left foot, and now it's just 5 days from the scary event.

I've been struggling with achilles bursitis for over 3 years, since I was still training full time at Ballet Academy East. I've done probably hundreds of performances on the bad foot, and thousands of ballet classes. Somehow - with the help of hefty doses of ibuprofen - I've managed to push through the pain like any true bunhead. But this summer it's just gotten progressively worse, forcing me to make the decision to suck it up, have the surgery, and get better.

There have been times over these years where it felt like nothing was wrong - 4 shows a day in pointe shoes and a bear head felt fantastic. But then without fail a week or so later I was back to feeling like the fibers were shredding every time I walked, nevermind plie'd or releved. It's a painful process, mentally almost more than physically, to be constantly fighting with your body and not knowing if it will hold up for all you ask of it.


In early July I was feeling okay. I had been in PT twice per week since April and seemed to be controlling the pain. I was in my usual class doing a typical petite allegro combination. It was crowded and I got myself into a corner with lots of bags dotting the floor, trying to dodge them between steps. I pushed off my left foot to do a back cabriole.

Snap.
I landed and froze.

It felt and sounded like I had just cracked my ankle like I do everyday, all day, like no big deal. But as I tried to walk to the side to sit down I could only hobble. I layed down and put my foot up on a stool while class finished the combination and flew through grande allegro. All I could think was "why did I have to do that combination a second time? I should've just stopped." I really did feel fine up until that very moment, which is why I kept dancing on it. Bad move, I guess.

I hobbled out after class and asked a nurse friend of mine to take a look at it. It was visibly swollen and I literally could not put my foot flat, let alone put weight on it. Somehow I got dressed and hobbled outside to the corner. The studio we were in has floor to ceiling windows on street level, and a friend of mine told me later she saw me struggling outside.

I grabbed a cab and went straight to a friend's apartment, where he graciously fixed me an ice bath and ran to get me an ace bandage. I knew I was in trouble. The rest of the night I just could not walk.

I was a week away from performances at the Latin Choreographers Festival with Exit 12 Dance Company and we had rehearsal the next day. I took a cab to the studio and hobbled at a snail's pace from the corner to the entrance of the building. 3 flights of stairs. Uh oh. I had to turn sideways to get up the stairs one at a time - putting full weight or rolling through the foot was NOT an option.

I made it up eventually and tried to "dance" on one foot. It was bad timing because that day we had visitors in rehearsal: Philip and Kokyat from Oberon's Grove taking pictures and observing. I could hardly even mark my part in the piece because everything sort of required 2 functioning feet. The picture they took kind of cracks me up because a) you can see my gigantic ace bandage through my tights, and b) my foot is flat and ugly where it's supposed to be pointed and pretty in the piece.


Anyways, after that rehearsal I stayed off it for a week, scrambling to get a doctor's appointment at The Harkness Center, where I had gone back in March to start PT. It is NOT easy to get in anywhere on short notice - good thing it wasn't a serious emergency! A teacher friend of mine happened to know somebody who knew somebody that worked in the office of one of the biggest dance doctors in the city, and with some cajoling I got an appointment for a few days later.

The doctor took an x-ray that showed nothing and then sent me for an MRI. Meanwhile, performances were looming days away. Don't ask me how, but I did them. All of them. On pointe. I limped offstage the second the lights were down, but I got through the shows. Ah, the magic of performance.

The MRI had shown that my bursa was indeed super inflamed, as I already knew. But there was also a small tear in my achilles tendon. And what was causing all of this apparently was "Haglund's Deformity." My heel bone actually comes to a sharp point in the back rather than a smooth rounded edge, and that is digging into my tendon. The answer: PT and rest.


So I did - for a while. I took probably 2 weeks completely off from class, but then I felt like I could at least get through barre. It was not a happy barre, but it was better than nothing a few times per week. That's pretty much how the rest of the summer has been, which is terribly stifling compared to how much dancing I had been doing! My NYTimes article came out in the midst of all this (actually on the day of our last performance that weekend) and I so hoped that would lead to more dancing.

I continued to push through rehearsals a few days a week and barre on occasion, but the foot was just not getting better. PT was doing absolutely nothing. It still hurt just to walk, nevermind dance. I got through one last performance weekend this past weekend with some choreography modifications and cutting back to smaller roles. But I just had to perform again...knowing I wouldn't get to do so for a while...

Last Monday I went back to the doctor for my follow up and told him it wasn't getting better. The last resort, as he had told me in July, was surgery. Having not solidified the job dancing this winter that I had hoped for, I agreed that now was the time. So here we are.

I'm terrified.

I'm scared of the actual procedure - of being at the hospital, of the anesthesia, of the pain. I'm scared of the immediate recovery period - of being on crutches for a month, of being dependent on others to help me out, of the pain. And I'm scared of the long term recovery - of being away from dance so long, of struggling to regain my technique, of the pain, physical and mental, of stopping.

I have to believe that this is what's best for my dancing in the long run. They will be removing the inflamed bursa and shaving down the heel bone so it no longer digs in. It should not return after that - I should be pain free. I certainly hope so after all this. But it's just been such a long fight. It will be such a relief in January or so when I'm fully back to dancing and fully pain-free in pointe shoes!

I had a few other gigs lined up for the fall that I'm sad to turn down - working on a video project with a choreographer friend, doing a brand new Nutcracker in Connecticut, this solo residency work thing...but I think it's best if I'm back and better for audition season.

Until then...


Performing in NY August Showcase Photos

Kat Wildish and our Performing in NY Summer Intensive Dancers

Last weekend we had another of our Performing in New York Showcases - of which I am now officially Assistant Director. I'll write later about all the work that went into the 3-week intensive leading up to the shows, but here are a few pictures!

I danced in (and helped teach) the Tarantella based on "Napoli" (one of my favorite ballets that I also danced while at BAE), and with Exit 12 Dance Company in an emotional work called "Homecoming."

Exit 12 Dance Company - I'm in the wrong costume :o
Exit 12 Dance Company - "Homecoming" Bows
"Homecoming" - I'm on the left

Being silly
"Tarantella"
"Tarantella" - awkward moment just before the end, haha
Celebrating afterwards with my fantastic yoga teacher and ballet teacher :)

Wednesday, September 1, 2010

Off Center is On Again!

After a 9-month blogging hiatus, I'm back!

It's been a busy 9 months of dancing with very little time for writing or blogging - which is good and bad. Around this point last year I was asked to be followed by New York Times dance critic Claudia La Rocco for what would be almost a year of freelance dancing. Knowing I had someone else scrawling my life down for a while, I figured I had a justifiable reason for my blogging break.

That prospective article turned into a full page New York Times Sunday Arts & Leisure section portrait, with an accompanying slideshow and audio interview online.

Now that that excitement has worn off and reality has set back in, it's time to get back to business. I'm hoping to bring the blog back even better this time, with more snippets from my life, reviews and previews of NYC performances, interviews with fellow dancers, and so on. And you'll always find my Twitter updates to the left (which I have been keeping up with).

I'm guaranteed to have the time now because, sadly, I'm having surgery on my aching achilles next week. With 3 months of recovery away from my busy dancing schedule, I'm planning to shift my focus back to writing for a bit. So...read on! :)